Monday, September 29, 2014

Voice in Research-Based CNF



Research is an art; synthesizing research, incorporating it into your own work is high art. Those of us who constantly ask “why?”, who constantly wonder things like, “what is that?” or “who did this thing first?” know that there is a beauty in finding something out. It’s deeply satisfying and invigorating – even if we never use that tidbit of information again.

I love research and research writing, so it seems that incorporating research into creative nonfiction would be something I would be clamoring to do each time I write. I have folders upon folders of interesting stuff I would like to write about. What I struggle with, however, is finding the right voice for that sort of writing. 

Joyas Voladoras, I think, is a fantastic example of how to do it “right.” The material is seamlessly integrated into reflection to the point that the reader isn’t consciously aware that they are reading something educational. I love that. I was thinking that it seems that the tone and voice of a piece that uses research will have everything to do with the material. Obviously there is room for elegance and poetics in something discussing hummingbirds and hearts; a piece on dog food can be funny and snarky or something. This is maybe why I’ve struggled in the past: I need to let the material speak, rather than trying to force it into a particular voice. Knowing the contexts and the nature of what you are writing about can help you determine how to talk about it.

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